A
High End Apparel Industry for New York City
by Nelson Fraiman and Carolyn Paris
Reducing wages
costs by means of a global supply chain has been driving apparel production
decisions for the last ten years. U.S. fashion retailers have based
an increasing proportion of their production outside the U.S., primarily
in China and other low-wage regions of East and South Asia, but also in
the Caribbean basin and Central America and, to a lesser extent, in Eastern
Europe, North Africa and South America. As additional low-cost production
has come on stream, clothing prices have dropped.
At the
same time, retailers are facing pressures from ever more sophisticated
consumers to come up with a continuing series of attractive new offerings.
Consumers are no longer willing to pay traditional retail prices for undistinguished
merchandise that sits on the selling floor for an entire season and grows
stale. Retailers have been scrambling to find ways to bring new styles
forward more frequently and to cut their losses on less popular items.
Large market operators and discount chains, such as Target and Kohls, are
masters of the global supply game and are continually increasing the fashion
component of their clothing selections at prices that pose major challenges
to the traditional full-price department store and retail specialty outlets.
New York Could Do It
In this
environment, should New York City try to participate in apparel manufacture
at all? If so, what should industry players consider as they
develop a strategy?
New York
City is not going to be a competitor purely in terms of low wage cost –
that much is clear. Where goods have commodity characteristics, that
is, compete solely on the basis of price and durability, with perhaps a
dollop of fashion tossed into the mix, the global supply chain specialists
will win, exploiting a flexible and geographically diverse production base
with a range of low-wage regions from which to choose.
On the
other hand, New York City has a number of competitive advantages across
the apparel production cycle. Bringing these together could
make New York City an attractive base for high-end apparel and luxury good
production. In this segment of the market, merchandise competes on
the basis of design, quality of workmanship, stylishness, novelty, and
prestige. Price is viewed in terms of the value delivered along these
dimensions. Traditional economies of scale – producing large volumes
of identical items – do not apply; instead, customers are more likely to
respond to artificial scarcity and will line up for “exclusive” or “limited
edition” offerings. Most of the value in this segment is based on
design and marketing; it depends on the full production cycle, from inspiration
and apparel design through to store design and customer service.
Approaching
the business from this angle, New York City has a lot to offer:
— A sophisticated
fashion design community, comparable to that of Paris and Milan, along
with the associated media and event machinery and two world famous design
schools, the Parsons School of Design and the Fashion Institute of Technology;
— Development
and experimentation in high tech fabrics, which have special qualities
for wearing or handling, or which require less sewing in garment assembly;
— A traditional
infrastructure of showroom space, financing techniques, and other assets
and skills associated with the traditional “garment industry”;
— A highly
sophisticated and well-to-do local market of consumers, ranging from the
trendiest of young people taking part in the art or club scene, through
the traditional or classic taste of people in the midst of career or family,
to the currently underserved segment of older people who would still want
to wear and use attractive things;
— A large
population of highly motivated, literate, and skilled (or potentially skilled)
craft workers, as well as available manufacturing space and other physical
infrastructure for manufacturing; and
— Unequaled
expertise in bundling design, manufacture, advertising and point-of-sale
experience into brand value.
Some Models for New York
New York
City can look to successful models for integrated approaches to apparel
and luxury goods manufacturing and marketing based on factors other than
low wage costs. Apparel and luxury goods production in northeastern Italy
is widely cited as an example of how a regional cluster of small businesses,
many of them family-owned, can operate successfully in a high-wage environment.
Design and marketing are carried out by “name” companies, but manufacture
is supported by subcontracting to local networks of highly specialized
firms. The region as a whole gains the benefits of both economies
of scale and vertical integration, even though batch size is small and
ownership is dispersed. This “cluster” structure permits flexible
production and fosters innovation. It seems to work best when it
is working initially to satisfy local, or at least domestic, demand.
A second
model takes advantage of higher-cost local manufacture to permit in-season
production in response to real-time information about what is selling and
what isn’t. This is the model successfully implemented by the Spanish
apparel company Zara. Zara goes into each season with only 50-60% of its
season offerings committed. The balance of each season’s offering
is scheduled for manufacture during the season and can be readjusted or
pre-empted based on day-to-day market intelligence; the entire production
cycle from design to store delivery can be as short as 10 days or two weeks.
In addition, Zara delivers new inventory to its stores twice a week and
makes only a limited run of each style. Zara customers have learned
to shop frequently and to buy now if something pleases them – it might
be gone next week! Zara’s end-of-season markdown sales represent
a much smaller proportion of sales than is typical for its competitors.
In the
United States, Tiffany and Coach have been successful by pursuing an integrated
strategy in which design, high quality (often U.S.) manufacture, and consistent
marketing across all channels convey strong brand image, with a characteristically
American mix of fashion with tradition. The quality and brand image,
carried through to the stores and sales interaction, support premium pricing
which is nonetheless viewed by consumers as representing fair value for
what they get. The American consumer feels comfortable paying for
luxury when the product promises years of use – the shopper feels prudent
while making an extravagant expenditure.
Technology Makes It Happen
A further
piece of the puzzle can be provided by technology. Technological
innovation can foster production in a high-wage environment in at least
two ways – by increasing worker productivity, and thus effectively reducing
labor cost, and by supporting mass customization. The concept of
mass customization – where customers can order products cut to their size
or made to their unique specifications – is well suited to the luxury sector
but requires not only that products be made efficiently but also that they
be delivered quickly. Paying a premium price for a uniquely tailored
good feels right only if you actually get it before you have changed shape
or changed your mind.
In all
these cases, there is benefit in locating design and manufacture close
to the market – not only for the obvious reason that shipping expense is
reduced, but to make market response faster and sufficiently accurate to
support premium pricing: Local manufacturing, if strongly driven
by a responsive design cycle and supported with good marketing and merchandising,
could make sense for New York City.
Nelson Fraiman and Carolyn
Paris are with the Columbia University Business School.
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